The Escape
For years, Gianna Leotaud lived by someone else’s measure. A cubicle with a view of another cubicle. A five-year plan written in the language of promotions, pensions, and polite applause. Success, she was told, looked like this: stability, predictability, a straight and gilded line. But every night, her hands itched for something else indicated by fabric, texture, and color. Scraps of silk from a morning market, the bold lines of architecture transformed into a collar, the way a gown could make a woman feel not just dressed but declared. Her energy didn’t flow in spreadsheets; it sparked in sketches. The moment of decision didn’t come with a bang, but with a quiet, devastating clarity. Staring at her calendar, packed with meetings that meant nothing to her, she realized: This is not my life. It’s a rental. So Gianna designed her escape not as a rebellion, but as a homecoming. She didn’t just leave her job to “start a fashion line.” She left to build a vessel for her freedom. Her ...